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niño flor’s debut album, “entonces las cenizas flotan,” blends folk, contemporary classical, and experimental soundscapes into a meditation on nature’s cycles of death and rebirth. Born during the pandemic, the self‑produced project traces transformation through ambient layers, piano, and guitar, inspired by Miyazaki, Hamaguchi, Leon Vynehall, and Natalia Lafourcade.

Jack Manley’s “FLC Punk” delivers a sharp alt-rock burst that digs into class pressure, identity, and the confusion of trying to rebel from a place of privilege. The single previews his upcoming album, “Where Are You Going, Where Have You Been?,” capturing the restless energy and introspective edge that define this new chapter in his sound.

Art spills over edges, music cracks through walls, and nothing here is polite or packaged. This is Miami untamed, loud, and unfiltered.

Ania Freer presents “Raised by Water, Held by Land,” an immersive installation inspired by the Everglades’ tree islands, which blends oral histories, cultural memory, and environmental reflection. Showcased during Miami Art Week 2025 and curated by Cornelius Tulloch, the work highlights Freer’s commitment to community knowledge and ecological preservation through film, storytelling, and multisensory art.

Wavewulf, the electronic project of New York-based artist Nicholas Long, blends analog craftsmanship, melodic vocals, and emotionally intentional compositions. From early synthesizer experiments to a disciplined body of work, Wavewulf creates immersive electronic music that reflects memory, imagination, and the human experience.

JeLa’s new single “Oh, Honestly.” is a raw, intimate indie-pop confession about self-sabotage, trust, and healing. Written from decades of lived experience, the song blends soft acoustic layers and a cinematic rise to reflect the tension between old wounds and the courage to believe in real love.