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After lighting up the stage in Miami with a set that left audiences dancing and curious in equal measure, Ginope sat down with us to unpack the layered flavors behind Funky Munchies, his colorful, collaborative project fusing funk and hip-hop. The Peruvian-born, Barcelona-based artist has been making waves with his genre-blending sound and his refreshing approach to creativity, turning each track into what he calls a “snack”, short, punchy, and undeniably addictive.

When Savannah Hail released “Parking Lot” on Valentine’s Day, she wasn’t setting out to climb the charts—she was simply trying to process the sudden collapse of a relationship she thought might last. But sometimes, vulnerability resonates louder than polish.

Composer Nathan Felix returns with Mirrors, his newest immersive opera premiering as part of Third Thursday at The Bass. Known for his boundary-pushing productions in unconventional spaces, Felix is once again blurring the line between performer and observer. Rather than sitting in rows before a static stage, audience members at Mirrors are invited to move freely throughout the museum, following singers as they traverse gallery spaces, a format that recalls the spontaneity of a flash mob, but with the emotional arc and sonic complexity of opera.

Miami is its own kind of paradox: restless and radiant, nostalgic and forward-looking. This week brings together a mix of sonic catharsis, intimate art, and moments of genuine connection. And with Mother’s Day on the horizon, Sunday’s offerings remind us that some of the most meaningful experiences are the quietest ones.

Ted Z and the Wranglers serve up “Kerosene,” ten tracks of pure Americana grit, guaranteed to stir your soul and shake your speakers.

Miami is a mood, and this week’s events dive into the depths of that identity. As we step into May, the cultural landscape keeps evolving, always loud, often emotional, and never afraid to break the mold.