With “Tell All the Other Girls,” Bossi delivers an irreverent album that demands to be heard. With thirteen songs, the singer-songwriter transforms the rawest emotions into a work capable of identifying with both the personal and the collective, transforming her pain and fury into a manifesto of contemporary femininity.
“Tell All the Other Girls,” produced by Justin Glasco (Paris Paloma, Imagine Dragons, The Lone Bellow), opens with "Kiss Me Goodbye," a track that slowly sets the tone for the album: defiant, direct, and more than ready to confront outdated social structures. From there, the album delves into profound lyrics with songs like "Good Bones," "Run Baby Run," and "Cassandra," where Bossi questions archetypes that have tried to define women for centuries.
In "The Fall of Eve," Bossi reinterprets the classic story of the loss of innocence as a political awakening. Instead of shame, we hear empowerment, and instead of silence, a declaration that forces us to rethink what until now we have assumed as valid and real.
Regarding “Run Baby Run,” Bossi explains the song “came to me like a personal siren call—urgent, loud, and impossible to ignore. In the aftermath of Roe v. Wade being overturned and the escalating attacks on women's rights across the U.S., I felt a visceral need to respond.”
For the video set to release later this month, she decided to be bold, messy, and relentless. She teamed up with art director and set designer Domenica Agostino Leibowitz and filmmaker Mark Leibowitz. Domenica, known for her work on HBO, Netflix, and Euphoria, helped materialize her inner world with symbolically charged elements, from silhouetted male figures to a straitjacket.
They also enlisted musicians and artists who created a wall of feminist protest signs, turning the shoot into an act of community, rebellion, and creative resistance. “This video is for every woman who’s been told to stay small, stay quiet, stay in line. I made it because I couldn’t do that anymore,” Bossi says.
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But the album isn’t just cathartic: it also finds beauty in connection. Even in its most furious moments, “Tell All the Other Girls” carries an undercurrent of tenderness, suggesting that love can be a radical act when it resists a world built on control and survival.
Having faced breast cancer twice, Bossi’s music conveys a depth that’s impossible to fake. That life experience pulses in every lyric and every riff, transforming the album into something more than songs: a testament to resilience.
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